‘Jazz Isn’t About Playing Notes, It’s About Listening’

Some musicians are so varied and diverse that they are hard to corral into a category or genre. Richard Bona is one such musician. Mainly regarded as a jazz musician, Bona can slip very convincingly under other hats as well to defy category. He simply makes music!

We had spoken to Richard Bona a generation ago – in 2008 – when he had performed at Mumbai’s now-defunct music club Blue Frog. It was his first trip to India and part of a whirlwind world tour.

At that particular interview, Richard Bona had exuded music even as he spoke. An abiding memory from that time was his oral imitation of Miles Davis’ muted trumpet sound – it was hauntingly close to the original – in answer to our question on the nuances of musical expression of the blues.

Principally a bass player, Richard Bona is a fine vocalist as well.

We renewed our association with him and, ahead of his forthcoming Mumbai concert, interviewed Richard Bona again.

Rolling Stone India: Your country, Cameroon has produced musicians of a type different from almost any other. There is joy and a feeling of celebration in your music. What is the secret to this?

Richard Bona: The secret to the joy and celebration in music comes from the way of life in Africa in general. Music isn’t just entertainment, it’s a living part of our everyday culture and traditions. From a young age, I always heard music in celebrations, in moments of unity in everyday life. Rhythm and melody are embedded in how we communicate and express emotions. So, when you hear my songs you’re experiencing generations of storytelling and the spirit of community. It’s about honoring my ancestors, embracing life’s challenges and celebrating every victory, big or small.

You have been in New York for a few years now. We are sure you have added a lot to their local jazz scene with your all round musicality and the unique feel for music you bring from Cameroon. In these years in the U.S., what have you added to your own musical experience and repertoire while playing with mainstream jazz musicians? Has anyone in particular influenced your jazz playing?

In fact, I was a New Yorker for more than 20 years and recently moved to Miami, Florida – chasing the sun. Living in the U.S. has been an incredible journey but I am also always on the road so what has influenced my music are the different colors of cultures and people around the globe. Every encounter has brought something new to my songs.

There is a trend for young musicians to go to the various music schools that have become so popular. Do you think this improvised music called jazz can be taught at colleges? Accepting the fact that students will become technically trained to play, might this hamper their being spontaneous on stage?

This is a very interesting and important question. I believe that music schools play a vital role in providing the technical foundation necessary to understand the complexities of music. Students learn theory, harmony, rhythm and a variety of skills essential for being a versatile musician. However, the most important aspect cannot be taught in the traditional sense. It is something that needs to be felt, experienced and lived.

Technical training is important but it is also essential for students to be able to listen deeply, to embrace mistakes and trust their own instincts. Life is also our teacher! I always say “Excellence is repetition.” That’s the most important lesson whether you are at the top school or self-taught on YouTube. Just play!

You have been an extraordinary bass player for sure, but you also sing and play several instruments. Have you taken to any particular instrument which might be on display at your Mumbai concert?

Thank you for your kind words! Yes, I’ve always loved exploring different instruments because each one offers a unique voice and way to express myself. At the Mumbai concert, you will hear me on the bass and vocals, which is where my heart always feels at home

I love blending instruments from different cultures into my performance and Mumbai is such a vibrant city that it inspires! Maybe I will sing you a special Indian song.

Since your first visit here a few years ago, there has been quite a surge of new, young talent playing jazz. What would be your message to these young musicians about playing jazz?

To the young, talented musicians diving into this as a profession: Never lose your sense of curiosity and adventure. Jazz is a language rooted in freedom, excitement and endless exploration. Be open-minded, collaborate with artists from different backgrounds and keep pushing the boundaries of your sound.

Also, remember that jazz isn’t about playing notes, it’s about listening. Listen deeply to your bandmates and engage in a musical conversation. And most importantly, stay authentic. Let your passion and personality shine through your music! Don’t be afraid to take risks.

Is being a professional jazz artist a realistic career option in these times?

Being a professional artist today is both a challenge and a rewarding adventure. The music industry has changed drastically, and jazz like all other genres, has had to adapt. It is not the easiest path but still is a realistic career option for the passionate and persistent! You need to be versatile, not just a good musician but one who understands the business end, marketing, copyrights and dealing with world audiences on social media and streaming platforms.

So yes, it is realistic but it demands creativity, adaptability and a lot of hustle!

Who are some of the new jazz artists in New York with whom you are impressed?

New York has always been a breeding ground for incredible new talent. It continues to amaze me. Some of the young musicians emerging today bring such fresh perspectives and fearless innovation to the scene. Unfortunately, the pandemic has been a negative factor. Clubs and festivals find it hard to encourage new talent. They are struggling budget-wise. We have to find a way out.

Richard Bona Group performs at the Grand Theatre, NMACC in Mumbai on Nov. 29. Get details here.