There’s lots of tenderness in Kurland’s portraits of herself and Casper, who, all through the e-book, grows from a diapered toddler right into a kindergartner. In “Go Canine Go” (2010), the van is pictured with its again doorways open to disclose the pair, each bare, on the mattress they seem to make use of for sleeping. Kurland is mendacity on her facet, her head resting in her hand, gazing at Casper, who’s seated along with his again in opposition to her, leafing by means of a youngsters’s e-book. His toes are curled in infantile focus; gentle daylight dapples the scene. In “Soiled Dishes” (2009), Casper is resting on a rock on the fringe of a river, whereas Kurland, who’s washing a dish within the water along with her pants rolled up, as soon as once more trains her eyes on her baby. The 2 look to be in mid-conversation, and, though they aren’t bodily touching, their psychic connection is palpable. These portraits have an Edenic high quality, as if Kurland is asking: What if my child and I had been the one two individuals on this planet?
